Many of the older Scottish melodies (such as this one from Jane Pickering’s lute book) are almost purely pentatonic in character. That lends itself to interesting harmonic and voice leading possibilities.
September 6, 2010 by edelbitter
Many of the older Scottish melodies (such as this one from Jane Pickering’s lute book) are almost purely pentatonic in character. That lends itself to interesting harmonic and voice leading possibilities.
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